Review of a piano recital by George Harliono presented by Chatteris Music Society at the Parish Church of St. Peter & St. Paul, Chatteris, on Saturday 1st September 2012.
Chatteris Music Society, spearheaded by Katherine Childs, struck a winner when they asked 11-year-old George Harliono to give a piano recital in the village church today. The audience knew it would be a grand occasion as the church was packed with enthusiasts.
One would expect a young lad of that age who started playing the piano at the age of 7 to play ‘nicely’ but not necessarily in the mature manner someone of twice his age would. However, this young performer was no ordinary player. He presented a full challenging programme that demonstrated an highly effective technique and there were many moments of mature musical awareness that is normally only associated with the best of performers.
His opening item, Piano Sonata No 14 in c sharp minor (The Moonlight Sonata) by Beethoven, flowed beautifully in the first movement (Adagio Sostenuto), with many of the underlying melodic fragments clearly delineated. He brought out the skittishness of Beethoven in the second movement (Allegretto) while his playing of the third movement (Presto Agitato) was at a magnificently energetic speed with much of Beethoven’s angst very much apparent.
By way of contrast, George then showed an impressive ability for cohesion in Estampes by Debussy: In the first movement, Pagodes, he shaped the phrases beautifully creating unmistakable images of grand Japanese pagodas. In the second movement, La soirée dans Grenade, a constant reference to Spanish rhythm and melodic flavour combined with his varied touch contrasted combined well with the typical flowing delicacy of Debussy and prominent resounding thematic material, while in the third, Jardin sous la pluie, the atmosphere was again created wonderfully as his technique made the music flow exquisitely, creating fluid, watery textures.
His brother, Joshua Harliono (violin) then gave a delightful performance on the violin of the first of Four Romantic Pieces by Dvorak (Allegro Moderato)
After interval of tea and cakes, George played one of his favourite pieces, Rachmaninov’s Prelude no.12 in c sharp minor (op. 3 no2). There was no doubt that George has a phenomenal technique and this piece demonstrated this particularly well.
A mature approach and some particularly effective soft episodes in Schubert’s Four Impromptus D899 (Op. 90) ended the concert magnificently. The first Impromptu in C minor (Allegro Molto Moderato) showed tremendous contrasting dynamic levels and in the second, E flat (Allegro) this amazingly talented pianist presented some astounding runs in the right hand. The third in G flat (Andante) brought out the mature musicianship of this young performer. The expression he created in the opening was spellbinding. In the final, fourth Impromptu, in A flat (Allegretto) he managed some deliciously soft ripples in the right hand. He brought out the poignancy of contrasting episodes and swelling dynamics particularly well.
With an immediate stage presence, George confidently introduced the pieces, moved assuredly to sit at the grand piano and gave a recital of mammoth proportions for a performer of this age. It was perfectly understandable that he was given a standing ovation and there were people queuing for his autograph at the end. The demand for an encore was easily met and George gave a splendid performance of Glinka’s ‘The Lark’ to make this one of the most amazing performances I have seen recently.
Chatteris Music Society’s next event will be ‘An Evening of Music’ with Andrew Parnell (piano), Koren Parnell (clarinet) and Rebecca Duckworth (soprano) with music by Schubert, Gershwin, Finzi and Poulenc at Chatteris Parish Church of St. Peter and St. Paul tel: 01354 669104
Events next year include European Philharmonic Chamber Orchestra (Youth Orchestra), Kings College Choral Scholars, Los Guitanos, and Hertfordshire Chamber Orchestra (featuring a piano concerto).
For more information contact: 01354 693279